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about

Lonesome can appear to be a tough task to go through in our life. It, sometimes leads us to existence without purpose, find a love one or even death in drastic cases. What comes as a closure from it, can be sometimes harsh or nurture us to be who we are today. And this is what we learnt from okamotonoriaki’s third album, “Happy Ending”.

Our Happy Ending EP consists of three new affiliates of mü-nest, Dae Kim, Burnie and Shuzhen, bringing re-worked versions of the song, expressing different perspective to their happy endings.

Korea-born producer/composer, Dae Kim, captures similar serendipity with the original track. The song is quite susceptible to sappy tendencies and rather pop infused at times. The rhythms are the decorations rather than the element that carries the songs’ momentum, when rather the melodies’ and musical notes create flows and rhythm for the listeners to hold on to. Reminiscing poem subtly lies within the layers of synthesizers.

On the other hand, Burnie, who released his debut album, “Lotus City” last January through 4daz-le Records, offers rather different perspective to the mix. The song introduces itself with a sampled vocals and the poem surrounded by lush synthscapes, collaged narratively. The part that makes this remix comparatively special is when the tastefully constructed beat with well mashed amount of swing emerges into the song. Furthermore, grim yet sentimental distorted ambient guitar shifts its emotion to rather sanguine with xylophones complementing the blend, which shows the Macao producer/DJ’s own closure of the song.

Meanwhile, Shuzhen offers more minimalistic approaches to her epilogue. Classically trained pianist, who arises from Johor Bahru of Malaysia has paved her path to be a composer by collaborating with local artists for variety of different projects. The Johor Bahru composer invigorates her arrangement with subtle soundscapes and the poem. Dramatic tendencies form itself through uplifting yet bittersweet phased chords of piano slowly fading in. When the drums fades out to present contrasting synthscapes, which elaborate themselves to form complex yet sumptuous kaleidoscope of sound which reflects her distinctive feminine sensitivity.

What separates us from one to another is how we define a happy ending. For some, what defines a happy ending would be a success in life, whereas for some, it is simply to get a taste of their favorite meal. Perhaps, the happiest ending possible in our life is in us. To truly understand ourselves and what lies ahead of us.

credits

released May 5, 2017

Cover art by okamotonoriaki
Mastered in Tokyo by Chihei Hatakeyama

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mü-nest Kuala Lumpur, Malaysia

We are an independent record label from Kuala Lumpur, Malaysia, tirelessly promoting melodious & sweet-sounding electro- acoustic tunes.

If you think you’ve got the right stuff that might interest us, please send us an email, with a link to your demo.
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